Saturday, 26 June 2010
Tuesday, 15 June 2010
West african masquerade




West african masquerade costumes and more in the photography portfolio of Phyllis Galembo. see more on his website here
Wednesday, 3 March 2010
Monday, 16 November 2009
Wednesday, 11 November 2009
Tuesday, 3 November 2009
david byrne
'the better the singers voice the harder it is to believe what they are saying'
-david byrne
Monday, 26 October 2009
Sunday, 4 October 2009
Anni Albers
Thursday, 3 September 2009
Tuesday, 1 September 2009
Monday, 31 August 2009
Sunday, 30 August 2009
the misfits
Ever hear the story about the city man out in the country? He sees this fella sittin' on his porch, so he says "Mister... ...could you tell me how I can get back to town?" The fella says "No." "Well, could you tell me how to get to the post office?" The fella says "No." "Well, do you know how to get to the railroad station?" "No." "Boy," he says, "you sure don't know much, do you?" The fella says "Nope. But I ain't lost."
the misfits
fantastic film written by arthur miller and directed by john huston. featuring clark gable, marilyn monroe and montgomery clift
whilst the film was being made a number of magnum's photographers were on set. a collection of the photos can be seen here
photograph by ernst haas

photograph by ernst haas

photograph by eve arnold

photograph by erich hartmann

photograph by dennis stock
Saturday, 29 August 2009
Monday, 17 August 2009
marcel duchamp
'the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and this adds to the creative act'
-marcel duchamp
Friday, 14 August 2009
mimbres pottery
http://www.princetonol.com/groups/iad/files/mimbres.htm
from the book 'mimbres painted pottery by j.j brody
'a picture starts as nothing and becomes a microcosm, a model universe that has its own physical and structural laws. so long as it exists it transcends whatever aesthetic values motivated its producer or affected the judgement of contemporary or later uses. at different times and places it can be appreciated, disliked or ignored. the only permanent and universal message it can possibly carry and the only key available to objective understanding of it, are embodied in the peculiar logic of its forms and structure'
-j.j brody



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